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	<title>Daniel Cockburn / zeroFunction</title>
	<link>http://zerofunction.com</link>
	<description>Just another WordPress weblog</description>
	<lastBuildDate>Tue, 13 May 2008 19:15:48 +0000</lastBuildDate>
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		<title>Practical Dreamers: Conversations With Movie Artists</title>
		<description>Dear all

I'm very happy to say that I'm a subject of Mike Hoolboom's new book "Practical Dreamers: Conversations With Movie Artists" (Coach House Books).

The book launch is this Tuesday at the Gladstone.  It's free.  There will be talking and movies.

Daniel

----
May 13th—An Evening with the ‘Practical Dreamers’
This Is Not ...</description>
		<link>http://zerofunction.com/announcements/practical-dreamers-conversations-with-movie-artists/</link>
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		<title>test</title>
		<description>Dear all

I'm very happy to say that I'm a subject of Mike Hoolboom's new book "Practical Dreamers: Conversations With Movie Artists" (Coach House Books).

The book launch is this Tuesday at the Gladstone.  It's free.  There will be talking and movies.

Daniel

----
May 13th—An Evening with the ‘Practical Dreamers’
This Is Not ...</description>
		<link>http://zerofunction.com/announcements/test/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>Souls at Zero
Kiyoshi Kurosawa’s Pulse

The death of the horror movie is so habitually lamented that its future is often limited to meta-irony and nostalgia. The climax of The Blair Witch Project (1999), in which its doomed documentarians were isolated in the spaces defined by their cameras, had the air of ...</description>
		<link>http://zerofunction.com/souls-at-zero/full-text-19/</link>
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		<title>Full Text</title>
		<description>BEN COONLEY
INSTALLATION FOR DOMESTIC CATS
Cinematexas Short Film Festival, Austin, Texas
Sept. 14-23

“The installation invites cats to consider their split status as autonomous residents and decorative fixtures of the contemporary human domicile.  Humans… are given a window onto the way cats see themselves and the way humans consume non-object-based art.”   Coonley may ...</description>
		<link>http://zerofunction.com/ben-coonleys-installation/full-text-18/</link>
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		<title>Full Text</title>
		<description>VIDEOS BY MIRANDA JULY
Tranz&#60;—&#62;Tech 2001, Latvian House, October 12
a co-presentation by Mercer Union, Pleasure Dome, and Artcite / House of Toast

Is it perversely ungrateful to fault an audience for being too receptive?  Probably, so please forgive me…  In the warm glow of a packed Latvian House, July’s The Amateurist came ...</description>
		<link>http://zerofunction.com/videos-by-miranda-july/full-text-17/</link>
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		<title>Full Text</title>
		<description>Screensplitting

Is the purpose of an anniversary to lose oneself in nostalgia for the numbered years gone by, or to prepare a new vision for the unnumbered ones to come? Both, of course… but it’s easier to talk about the past than the future. The past can be counted and recorded ...</description>
		<link>http://zerofunction.com/screensplitting/full-text-16/</link>
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		<title>Full Text</title>
		<description>Why I Hate Steve Reinke
[Pleasure Dome catalogue essay for
Why I Like Ugly Boys: recent videos by Steve Reinke
Dec. 14 2002 Toronto]

Please imagine as you read these words that they are not written, that you are not reading them, but rather that you are hearing them as the voiceover of a ...</description>
		<link>http://zerofunction.com/why-i-hate-steve-reinke/full-text-15/</link>
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		<title>Full Text</title>
		<description>MISFIT BLISS:
Confessions of a Sociopath and other movies that don’t fit

Each time we see a man walk on the wire, a part of us is up there with him… the experience of the high wire is direct, unmediated, simple, and it requires no explanation whatsoever.  The art is the thing ...</description>
		<link>http://zerofunction.com/misfit-bliss/full-text-14/</link>
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	<item>
		<title>Full Text</title>
		<description>Nothing funny is going on here.

Sebastian: Look, he’s winding up the watch of his wit; by and by it will strike.
(Shakespeare, The Tempest)

One can partially numb the sadness of past experience by transforming it into anecdote; a more complete (and perhaps more desperate) tactic is to make the anecdote into ...</description>
		<link>http://zerofunction.com/robert-lees-la-capitale-de-la-douleur/full-text-13/</link>
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		<title>Full Text</title>
		<description>AT THE CORNER OF EITHER &#38; OR
Will Kwan’s “Don’t Toe The Line, Or Toe Your Own Line” by Daniel Cockburn

I confess: I have come relatively late in life to the art world. As such, my criteria for art slouch happily in the shadows of paradigms ingrained in me by a ...</description>
		<link>http://zerofunction.com/at-the-corner-of-either-and-or/full-text-12/</link>
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