<?xml version="1.0" encoding="UTF-8"?><!-- generator="WordPress/2.5.1" -->
<rss version="0.92">
<channel>
	<title>Daniel Cockburn / zeroFunction</title>
	<link>http://zerofunction.com</link>
	<description>Just another WordPress weblog</description>
	<lastBuildDate>Thu, 29 Jul 2010 17:43:47 +0000</lastBuildDate>
	<docs>http://backend.userland.com/rss092</docs>
	<language>en</language>
	
	<item>
		<title></title>
		<description>
YOU ARE HERE is an intellectually adventurous movie

that explores the nature of consciousness,
the relationship between technology and our sense of self,
and what happens to a mind when it spends too long
inside an experiment of its own devising.
  
The first feature by internationally successful video artist Daniel  Cockburn, YOU ...</description>
		<link>http://zerofunction.com/you-are-here/synopsis/</link>
			</item>
	<item>
		<title></title>
		<description>


.Have you heard about the dictionary for  masochists?.





It has all the words in it.
They're just not in any particular order.
.
.
.
.
.
.
. </description>
		<link>http://zerofunction.com/you-are-here/intro/</link>
			</item>
	<item>
		<title></title>
		<description>TRACY WRIGHT   R.D. REID   ANAND RAJARAM   NADIA LITZ    SHANNON BECKNER
RICHARD CLARKIN   JENNI BURKE   ROBERT KENNEDY 

a new  feature-length motion picture

written  &#38; directed by Daniel Cockburn
produced by Daniel Bekerman and Daniel Cockburn
executive producers Matthew Stone and Brenda Goldstein
a zeroFunction / Scythia Films Production
.
.
. </description>
		<link>http://zerofunction.com/you-are-here/follow-the-red-dot/</link>
			</item>
	<item>
		<title></title>
		<description>
DANIEL COCKBURN ......... FILMMAKER / VIDEO ARTIST
official website.
For information on Daniel Cockburn's first feature
You Are Here, starring Tracy Wright,
go here.
.
 
 
 
 
 
“Toronto’s best new video artist. Last year’s Metronome was shockingly inspired, mixing Wittgenstein, movies, and pattern theory.  This year Cockburn continued the heady ideas and subtle performance...”     - Cameron Bailey
"He has a ...</description>
		<link>http://zerofunction.com/announcements/practical-dreamers-conversations-with-movie-artists/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>Souls at Zero
Kiyoshi Kurosawa’s Pulse

The death of the horror movie is so habitually lamented that its future is often limited to meta-irony and nostalgia. The climax of The Blair Witch Project (1999), in which its doomed documentarians were isolated in the spaces defined by their cameras, had the air of ...</description>
		<link>http://zerofunction.com/souls-at-zero/full-text-19/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>BEN COONLEY
INSTALLATION FOR DOMESTIC CATS
Cinematexas Short Film Festival, Austin, Texas
Sept. 14-23

“The installation invites cats to consider their split status as autonomous residents and decorative fixtures of the contemporary human domicile.  Humans… are given a window onto the way cats see themselves and the way humans consume non-object-based art.”   Coonley may ...</description>
		<link>http://zerofunction.com/ben-coonleys-installation/full-text-18/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>VIDEOS BY MIRANDA JULY
Tranz&#60;—&#62;Tech 2001, Latvian House, October 12
a co-presentation by Mercer Union, Pleasure Dome, and Artcite / House of Toast

Is it perversely ungrateful to fault an audience for being too receptive?  Probably, so please forgive me…  In the warm glow of a packed Latvian House, July’s The Amateurist came ...</description>
		<link>http://zerofunction.com/videos-by-miranda-july/full-text-17/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>Screensplitting

Is the purpose of an anniversary to lose oneself in nostalgia for the numbered years gone by, or to prepare a new vision for the unnumbered ones to come? Both, of course… but it’s easier to talk about the past than the future. The past can be counted and recorded ...</description>
		<link>http://zerofunction.com/screensplitting/full-text-16/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>Why I Hate Steve Reinke
[Pleasure Dome catalogue essay for
Why I Like Ugly Boys: recent videos by Steve Reinke
Dec. 14 2002 Toronto]

Please imagine as you read these words that they are not written, that you are not reading them, but rather that you are hearing them as the voiceover of a ...</description>
		<link>http://zerofunction.com/why-i-hate-steve-reinke/full-text-15/</link>
			</item>
	<item>
		<title>Full Text</title>
		<description>MISFIT BLISS:
Confessions of a Sociopath and other movies that don’t fit

Each time we see a man walk on the wire, a part of us is up there with him… the experience of the high wire is direct, unmediated, simple, and it requires no explanation whatsoever.  The art is the thing ...</description>
		<link>http://zerofunction.com/misfit-bliss/full-text-14/</link>
			</item>
</channel>
</rss>
